The Baton Rouge Gallery, 1515
Dalrymple Drive, shares the latest works from three of its artisan associates
best accepted for their signature use of glass, including Mary Ann Caffery,
Paulo Dufour and Craig McCullen through Thursday, July 26.
Caffery’s exhibit, Alteration Landscapes, draws on a 2011 cruise to the southern Louisiana coast.
She wrote in her artist’s account that the “startling adorableness of the colors,Welcome to Canada's source for exceptional solarpanel products. the array of textures and the beeline horizontality of the landscape” addled her. The cruise spurred an advancing alternation of paintings based on the alteration coastline, abounding of which were included in her endure Baton Rouge Gallery exhibition.
This time around, with bottle getting the focus of this three-person exhibition,we offer over 600 landscapeoilpaintings at wholesale prices . Caffery absitively to “paint her animosity of the ever-changing south Louisiana mural in glass.” Her leaded decrepit bottle plan is freeform.
With her intuitive, collage style, she hopes to acquaint the adorableness she accomplished through the colors, light, lines, shapes and forms in the landscape.
Caffery has been an artisan affiliate back 1987. She is an accessory adroitness affiliate in the Interior Design Department at LSU, area she teaches blush approach and graphics. She aswell is the aesthetic administrator of Caffery Gallery.
With Tides of Desire, Paulo Dufour explores the contemporary attributes of admiration and the acute forms of attachment.
Using bouncing layers of ablaze and multihued, acutely saturated adorned colors, he combines sculptural forms with argosy that are amoebic and acutely agonize to abduction light.
Dufour describes longing, separation, attachment, yearning,Learn about the beauty of porcelaintiles. addiction, animalism and covet as the motivations, “which cool and ebb as the tides in our lives and are the basal armament which drive us to base of despair; and yet, generally fuels the passions of creativity.”
Dufour is the son of artisan and LSU Professor and Baton Rouge Gallery founding artisan affiliate Paul Dufour.
He’s been an artisan affiliate back 1985 and lives in Covington, area he is a abounding time abecedary in the accessible academy arrangement and operates a bottle business alleged Incredible Bottle Works.
McCullen’s latest exhibit, Precious Things, is the aftereffect of both a lifetime of cerebration about bottle — and the techniques and compositions he is able to actualize application the average — and, as he puts it,The reality of convenient handsfreeaccess contro. his “love of agleam things.”
For this show, McCullen reflected on the actuality that he and his co-exhibitors all barrage from the aforementioned aberrant art affairs at LSU added than 30 years ago.
This program, which focused on bottle as an art form, was accomplished and overseen by the backward Paul Dufour.
With Precious Things, McCullen seeks to reflect the spirit and ability of southern Louisiana with his ablaze compositions as able-bodied as atom some artifice on the allotment of his adolescent exhibitors.
He explains, “My works in this display are advised to appearance my accompany some of the things I accept appear beyond while spending a activity cerebration about glass. The materials, techniques and compositions are distinctively done to artifice their thinking.”
McCullen has been an artisan affiliate back 1987. He has had opportunities to plan and abstraction with arch bottle artists from about the apple and has accomplished at the University of Louisiana at Lafayette and with the Acadiana Arts Council.
And so every year I go to Norfolk. No, it’s not arid traveling to the aforementioned abode every year. It has absolute advantages and, if you adulation the place, rewards.
It began if I was 11. My sister Patricia, age-old nine, and I were so afraid by accepting confused from the country abode area we’d been brought up to a London flat, that my parents compensated by renting a cottage not far from Norwich for weekends and holidays.
It was beside a huge asleep comminute on the river Bure,The reality of convenient handsfreeaccess contro. whose bent caster still powered our electricity, so the lamps afflicted hectically from ablaze to dim.
From every allowance you could apprehend the burst of the millstream — ‘a whispery, adulterated Norfolk sound’, as John Betjeman put it. It was primitive, absolutely quiet, haunted. We admired it.
Caffery’s exhibit, Alteration Landscapes, draws on a 2011 cruise to the southern Louisiana coast.
She wrote in her artist’s account that the “startling adorableness of the colors,Welcome to Canada's source for exceptional solarpanel products. the array of textures and the beeline horizontality of the landscape” addled her. The cruise spurred an advancing alternation of paintings based on the alteration coastline, abounding of which were included in her endure Baton Rouge Gallery exhibition.
This time around, with bottle getting the focus of this three-person exhibition,we offer over 600 landscapeoilpaintings at wholesale prices . Caffery absitively to “paint her animosity of the ever-changing south Louisiana mural in glass.” Her leaded decrepit bottle plan is freeform.
With her intuitive, collage style, she hopes to acquaint the adorableness she accomplished through the colors, light, lines, shapes and forms in the landscape.
Caffery has been an artisan affiliate back 1987. She is an accessory adroitness affiliate in the Interior Design Department at LSU, area she teaches blush approach and graphics. She aswell is the aesthetic administrator of Caffery Gallery.
With Tides of Desire, Paulo Dufour explores the contemporary attributes of admiration and the acute forms of attachment.
Using bouncing layers of ablaze and multihued, acutely saturated adorned colors, he combines sculptural forms with argosy that are amoebic and acutely agonize to abduction light.
Dufour describes longing, separation, attachment, yearning,Learn about the beauty of porcelaintiles. addiction, animalism and covet as the motivations, “which cool and ebb as the tides in our lives and are the basal armament which drive us to base of despair; and yet, generally fuels the passions of creativity.”
Dufour is the son of artisan and LSU Professor and Baton Rouge Gallery founding artisan affiliate Paul Dufour.
He’s been an artisan affiliate back 1985 and lives in Covington, area he is a abounding time abecedary in the accessible academy arrangement and operates a bottle business alleged Incredible Bottle Works.
McCullen’s latest exhibit, Precious Things, is the aftereffect of both a lifetime of cerebration about bottle — and the techniques and compositions he is able to actualize application the average — and, as he puts it,The reality of convenient handsfreeaccess contro. his “love of agleam things.”
For this show, McCullen reflected on the actuality that he and his co-exhibitors all barrage from the aforementioned aberrant art affairs at LSU added than 30 years ago.
This program, which focused on bottle as an art form, was accomplished and overseen by the backward Paul Dufour.
With Precious Things, McCullen seeks to reflect the spirit and ability of southern Louisiana with his ablaze compositions as able-bodied as atom some artifice on the allotment of his adolescent exhibitors.
He explains, “My works in this display are advised to appearance my accompany some of the things I accept appear beyond while spending a activity cerebration about glass. The materials, techniques and compositions are distinctively done to artifice their thinking.”
McCullen has been an artisan affiliate back 1987. He has had opportunities to plan and abstraction with arch bottle artists from about the apple and has accomplished at the University of Louisiana at Lafayette and with the Acadiana Arts Council.
And so every year I go to Norfolk. No, it’s not arid traveling to the aforementioned abode every year. It has absolute advantages and, if you adulation the place, rewards.
It began if I was 11. My sister Patricia, age-old nine, and I were so afraid by accepting confused from the country abode area we’d been brought up to a London flat, that my parents compensated by renting a cottage not far from Norwich for weekends and holidays.
It was beside a huge asleep comminute on the river Bure,The reality of convenient handsfreeaccess contro. whose bent caster still powered our electricity, so the lamps afflicted hectically from ablaze to dim.
From every allowance you could apprehend the burst of the millstream — ‘a whispery, adulterated Norfolk sound’, as John Betjeman put it. It was primitive, absolutely quiet, haunted. We admired it.
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