In her introductory remarks, Van der Spoel mapped the demise of
second hand book shops in the inner city. She was hopeful that those
histories of book culture in Johannesburg will still be written.In this
context, Bronwyn Law-Viljoen mentioned that her 3rd-hand copy of Things
fall Apart contains several stamps of book shops and Archie Dick said
that physical books carry traces of history. One could also point to a
fictional history of book culture, imaginatively rendered by Ivan
Vladislavi? in his short story The Book Lover.
Archie Dick's The
Hidden History of SAs Book and Reading Cultures (UKZN Press) functions
as a kind of archive documenting the reading practices of South
Africans. He is interested in the ways in which libraries function in
communities and in South Africa's reading histories.
Counter to
the dominant narrative bemoaning the declining rates of reading, he
asserted, quoting Isabel Hofmeyr, that there are pockets of passionate
reading. He is especially interested in the social practice of copying,
which continues today in various forms and stretches the meaning of the
word book. Linked to the title of the session, he also related several
anecdotes illustrating the ways in books exist as agents of
insurrection.
Sometimes accidentally, for example, Denis
Goldberg remembers a 1953 tape recording detailing the repression of
Namibian people, which was hidden in a copy of Treasure Island and thus
smuggled to the United Nations.
Archie Dick also spoke of
copying as a reading strategy that undermined the structures of power.
He explained how during apartheid, reading circles of the Unity Movement
would often hold their meetings in secret,Now it's possible to create a
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for your office. for example, in caves in Devil's Peak and each member
would bring a photocopied section of the book C in case of a raid the
entire book could not be confiscated or destroyed.
Citing Achebe
on the truth of fiction, Dick explained that with the banning of much
non-fiction in the 1960s and 1970s, for many activists fiction became a
kind of truth telling and novels were read for their practical utility:
chapter 14 of the The Grapes of Wrath was read for its insight into mass
movements, Sartre's The Wall read in military training camps.
His
research paves the way for considering whether there is a liberation
literary canon. Isabel Hofmeyr's latest book, Gandhi's Printing Press:
Experiments in Slow Reading tells the story of Gandhi's press in Durban
from 1893 to 1914. Hofmeyr argued that these textual experiments are
central to Gandhi's thinking on passive resistance.
For Gandhi
there was a definitive connection between reading and sovereignty, since
reading created a zone of individual freedom. Serious reading cannot be
outsourced, just as Gandhi held that freedom given to one was no
freedom at all.
At the turn of the twentieth century, in the age
of mechanisation and industrial capitalism, Gandhi's experience of
information overload convinced him of the necessity of slowing downas a
way of opting out of this system. This could be achieved by
participating in activities that could only be completed at the pace of
the body, such as reading.
The proliferation of flows of
information in Gandhi's era is similar to our own. In this sense,
Hofmeyr inventively described the world as a huge textual girdle. Van
der Spoel added that Gandhi's aversion to copyright also chimes with
contemporary open source ideas.
Bronwyn Law-Viljoen, founder and
publisher of Fourthwall Books, admitted that while her books are not
insurrectionary, at the very least I am making some kind of protest. She
characterised Fourthwall books as extreme publishing, perhaps akin to
bungee jumping in its element of risk. Her protest is not against
technology as such, but rather a stand taken in defence of the physical
act of reading and the ensuing tactile connection to the physical
world.
Playing on Hofmeyr's subtitle, she called for experiments
in rough reading as opposed to the smooth reading experience offered by
a device. Law-Viljoen also presented a kind of show and tell to better
explain the kinds of books she publishes and why.
Fourthwall
books are beautifully crafted; the relationship between appearance and
content a dynamic one. In the process of creating these books,Here's a
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the beginning oil painter. Law-Viljoen suggests she is making slowness
and resisting the flimsy mass-production processes common to larger
corporate publishers. She is not, however, promoting book fetishism.
Hofmeyr
suggested that Gandhi would applaud Fourthwall books, which seems to
continue the long tradition of artisan presses which existed in all
Indian Ocean port cities. Such presses stand in stark contrast to the
development of print capitalism in Europe.
The panellists also
considered the ways in which digital technology has revolutionised the
preservation of texts and the ways in which future histories will be
written.In a fitting closing to this fascinating session, Van Der Spoel
read an extract from The Lost Art of Reading in which David Ulin
proposes that reading is an act of resistance in a landscape of
distraction; it is an act of engagement in a culture that wants us to
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